When someone sends a MySpace bulletin attempting to publicize their
event with the following kooky message (in regards to not attending
the event): "Or I will hunt you down and make you wish you'd never
been born ... No, but seriously… I will," you best listen. I
had no
other choice but to check out this event, for fear of my life.
Now, I'm not one to question a person when it comes to publicizing
their upcoming shows — most pass out fliers, post cards, send
nice
little email reminders — but Mike Suarez (who also happens to
be a
regular visitor to our comments section on our site) went all
Satan-like (in short, he didn't mind busting out the crazies with us)
with his approach to getting the word out on his event Watch it Burn.
I Googled Suarez's name to find that he was part of the Satanic
Calendar Project (if you haven't been
living in a hell hole, this is what it's about — it's a
first-of-its-kind calendar created by the Church of Satan Members
listing major Satanic holidays and birthdays). On that note, Suarez
has my attention.
As included in the rather normal informational-type email from Suarez
(I must note this was following the MySpace bulletin) the event was
tagged as a performance piece/psycho-drama/cathartic ritual not
limited to: fascist imagery, mood music, a bit of speechifying, and
questioning the value of "art" according to your Average Joe.
I was hooked — all New Year's Eve plans were out the window
— I had to
see this. Watch it Burn,
his devilishly planned performance entailed
burning pieces of art. No it wasn't full-on anarchy, as one may think,
it was rather actually subdued. In fact, it worked — it has
since got
me seriously thinking about the local arts scene.
I headed out for evening New Year's Eve event, and as the sun set the
winds picked up and my feet went numb. I spent nearly an hour in a
trance as Suarez picked up the mic repeating "This is a revolution"
and preached his views. The few audience members in attendance chose
which art to burn and which would survive. A handful of art survived;
while the rest was tossed into barrels where "executioner's" doused
lighter fluid on various art works.
Following the event Suarez immediately chatted it up, with me asking
my opinion of the event. As I previously told his camera crew, I
considered it to be thought-provoking. Suarez did bring up a few
points, how various artists in San Antonio tend to keep it safe. And
how First Friday has somewhat escalated into a place to be seen,
rather than to see art. True, true … however, with artists
like
Bunnyphonic
(aka Michelle Valdez) who
presents outrageously interesting mixed media and performance shows
and the FL!GHT Gallery crew
(who, judging by a sneak peak image of the
show SNEEZE,
providse a unique and a definite conversation starter for
weeks to come) who create art forms that they enjoy that are out of
the ordinary and catch a few people off-guard — I think there
are
artists that are creating art to the beat of their own drum, but in
Suarez's opinion, the San Antonio arts scene is stagnant. It's safe,
mundane, and nothing short of extraordinary and I would have to say
that I agree with Suarez's suggestion to break free from the safety
net in the local arts sphere. Because isn't art about creating
something beautiful? And what's more beautiful than creating a piece
of work that the creator feels reflects their character, mood,
emotion, etc? It's a true masterpiece when there are no restrictions
and when everything needed to be expressed, is expressed. If it
offends a few people, that's fine … not everyone will be
enjoy it, but
that's what makes art art.
Suarez questions in his blog: "Is Art truly a subjective experience
for artists and audience? Or must some objective standard be applied
to all creative endeavors for them to be considered good? If so, where
and by whom are these bars set? The power of Art appreciation is NOT
in the hands of some elitist group of snotty collectors, galleries, or
"Artists." The responsibility lies with each of us." I second that
notion.
This newbie art critic gives Suarez major props for his efforts:
Suarez's rationale is something I can agree with no matter how bizarre
his execution with it is — I understand his plea. He isn't
fond of the
Blue Star art scenesters; he doesn't want to fall into being tagged as
a Chicano artist (which by his own works won't label his as one); he
isn't about to follow some trend in the arts world just so he can get
noticed.
He may come across as a jaded artist that may have been snubbed
repeatedly in the local scene but Suarez is definitely speaking out
about the scene the best way he can — if not through words
— through
action art.
Maybe San Antonio isn't quite ready for Suarez as he seems to note in
many of his comments on our site, but he's definitely someone that the
city should notice in a serious manner. Suarez, a local artist (with
his work being shown at Gas Gallery in July 2007 in the show Porn
Paintings: The Allure of Color, which raised an
eyebrow
or two while also questioning our contemporary racial views), is
credible and has the potential to really stir the arts scene in
town—
however, it comes as a disappointment to me that people haven't quite
taken his actions too seriously. Possibly, it's his in-your-face
approach, or his tendency to come off as arrogant online, but as
commented earlier in the week by Suarez (under the nickname Mr. Atrox)
Watch It Burn
"was a swift kick to the [art] scene's testicles."
I'm not sure if I fall into Suarez's category of "self-appointed
critics of the creative" considering that I am a creative-type too,
but I really don't care — and Suarez probably doesn't care
whether or
not people showed up at his event or not, or if people take him
seriously as an artist. His goal was accomplished by causing people to
think, even if I was the only one in the crowd to do so.
I must end this post with the powerful clincher to his December 18
post
"Setting the Standard: "San Antonio, you artistically bulimic
bitch, you prepare to FEAST!!!!!!!
Oh, sweet San Antonio, how I love thee. No worries, you'll be plenty
fed of art in '08.