
I spent much of the holidays obsessively poring over my favorite
Christmas gift, a hard-bound, coffee-table collection of the best of Creem magazine,
published last year by Collins, an imprint of HarperCollins.
As someone who admired the magazine's enthusiastic but
irreverent take on the punk explosion of the '70s, I would have
preferred to see more punk and less Bob Seger, Grand Funk Railroad, and
John Cougar Mellencamp. But there's plenty of priceless material here
nonetheless:
An amazing/embarrassing Marc Bolan interview from 1973, in which Mr. T.
Rex repeatedly goes out of his way to slag David Bowie as lacking in
charisma, destined for obscurity, and not "even remotely near big
enough to give me any competition" (Bolan wasn't exactly Nostradamus,
now was he?); a Lester Bangs-penned profile of Iggy Pop, in which the
World's Forgotten Boy takes his shots at Bowie for lousing up the mix
of the Stooges' Raw
Power, by branding him "that fuckin' carrottop"; a
never-before-published 1982 photo of Pretenders guitarist James
Honeyman-Scott, in frilly white dress and long, auburn wig, draped
across a car, a full five years before Tawny Kitaen put Whitesnake on
the map in similar fashion; and plenty of rude Creem Profiles and
Backstage photo captions.
My favorite remembrance comes from Bill Holdship, currently with Current sister
paper, the Detroit
Metro Times, who recalls taking a phone call from Billy
Joel, who angrily complained about a Creem photo of
Christie Brinkley, accompanied by the caption: "Dating a moron? Why I
am!" Joel told Holdship that when the magazine made fun of his
girlfriend "them's fighting words!" Holdship, to his credit, explained
to Joel that the photo was making fun of HIM, not Brinkley.
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