Music > Local Music
Solid Gold Eagle (formerly Fuck City USA)
Thursday, February 5, Rock Bottom Tattoo Bar
Published: 2/11/2009
The woolly, sweat-slicked men in
Tel Aviv’s Monotonix spit beer and dump the trash can
on the floor. Drummer Haggai Fershtman sets up his kit on the bar, and singer Ami
Shalev swings from the rafters and ends the show crowd-surfing on top of the
bass drum.
In other words, the only thing that
might suck worse than cleaning up after Monotonix is performing after Monotonix.
The newly rechristened duo Solid
Gold Eagle, playing their final show under the name Fuck City USA, must’ve
drawn the short straw. They take the stage (the one place Monotonix doesn’t
play) and finish setup and sound check before their predecessors have finished
packing up equipment.
After a grating feedback burst,
guitarist and lead shrieker Chris Martinez addresses the band’s name change.
“We do have a name,” Martinez assures us, “and it’s — “ He grins and cuts
himself off with a sharp guitar squeal.
The rest of SGE/FCU’s set proceeds accordingly, a series of squall-soaked anti-jokes
to which the only punch line is tinnitus. Martinez shreds and scratches his
guitar, stomping effects pedals and looping grating squawks and teeth-piercing
static scrapes. He solos six-string seizures over the discordant layers and
yelps god knows what into what has to be a dead mic. Making himself heard over
his own axe hacks would probably involve industrial-grade explosives, so you
kind of hope he’s a shitty lyricist.
Drummer Patrick Schowe’s primitive
pounding (sort of) provides a rough skeletal structure that’s almost always
broken down and abandoned before Martinez’s convulsive mini-riffs conform to
it. This is probably what AC/DC sounds like to your grandparents.
Martinez hops onto the floor and
struts in moccasined feet across the length of the stage in a duck
walk/two-step hybrid that nearly suggests he’s been taking frontman dance
lessons. His solo sounds like Chuck Berry picking with a rusty coffin nail.
“We’d like to thank Monotonix for
warming up the stage for us,” Martinez says over the violent death throes of
the set’s final notes. The 20 or so people who haven’t left to wash the beer
out of their hair cheer, though they might have just been excited they could
still hear.